Here to Create

We are here to create not merely survive.

Review: Three Days to Dead by Kelly Meding

http://www.amazon.com/gp/product/0553592866?ie=UTF8&tag=hertocre-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0553592866From the moment the main character wakes up on a slab in the morgue, Three Days to Dead by Kelly Meding had me hooked.

Evy Stone, a hunter of Dregs (nonhuman species like goblins, vampires, and weres), has been resurrected into a new body and has three days to figure out who killed her and why. She has no hope of living past the time limit, but she’s still intent on saving her city from the potentially horrific results of a planned alliance between the goblins and vampires. Not only that, she wants to figure out who killed the other two members of her Triad and framed her for their murders. With the help of the only person she can trust, her Triad’s former handler, Wyatt, she follows a trail of lies and deception to the truth, which is worse than anyone thought.

It’s a strange thing to play detective in your own life, but Evy’s reactions to her discoveries were well-balanced emotionally. Part of her is intent on solving the mystery, reacting to challenges as decisively as any kick-ass urban fantasy heroine, while another part is sometimes overcome by the betrayals and painful memories she discovers. These occasional reminders of Evy’s human vulnerabilities only increased my admiration for her courage and made me want to find out who had killed her and why. Helping the reader connect to Evy’s previous life are the vivid portrayals of human and Dreg minor characters, both allies and enemies. While the sheer variety of Dreg species were sometimes hard to keep track of, I appreciated the blending of traditional and fresh depictions of these fantasy staples.

With only three days to live, the story moves fast from the moment Evy wakes, the short time she has left emphasized by the countdown at the beginning of each chapter. So at first the romance subplot threw me off, as it seemed like too much of a distraction considering everything else Evy had to do in those three days. But the characters and their interactions were so real that I believed in their relationship with the help of some flashbacks that gave me a good sense of their prior friendship.

One of my favorite parts of this book was watching how Evy adapts to her new body. At first she flounders a bit with physical skills she’d been proficient with in her old life, and later she discovers her new body has some different feelings and abilities, which also take some getting used to. I liked this touch of realism and the accompanying entanglements of the life of the woman who had previously owned Evy’s body.

Three Days to Dead is very tightly plotted, with all the clues, whether they prove true or false, clicking together in a puzzle picture that grows clearer as the story progresses. Reading with my skeptical writer brain, I expected to find a few threads left unresolved, but everything wrapped up in a tight, satisfying way. It’s quite a feat to cram that much story into 72 hours, but I believed it was true to the way smart, determined Evy Stone would have lived, both before and after her death.

I haven’t read much urban fantasy beyond Jim Butcher and Laurel K. Hamilton, butThree Days to Dead makes me think I need to read more widely in the genre. It’s a definite keeper, and I’m certainly looking forward to Meding’s next book, As Lie the Dead, out in summer 2010.

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No Plot? No Problem!

No Plot? No Problem! at Amazon.com, affiliate linkNo Plot? No Problem!: A Low-Stress, High-Velocity Guide to Writing a Novel in 30 Days by Chris Baty is a guide to writing a novel in a month, whether as part of the official National Novel Writing Month in November or as part of a personal challenge at some other time of the year.

In his introduction, Chris Baty acknowledges that writing a novel in a month is insane, and yet his humorous style makes it seem like a fantastic idea. Like many of the best writing books, the infectious enthusiasm of No Plot? No Problem! made me want to drop the book and get busy writing.

Baty begins by recounting his first mad attempt to write a novel in a month, when he learned that “the biggest thing separating people from their artistic ambitions is not a lack of talent. It’s the lack of a deadline.” This idea, together with the concept of “exuberant imperfection,” became the philosophy behind National Novel Writing Month. The key to NaNoWriMo is the realization that you shouldn’t be worrying about writing a brilliant story with hauntingly beautiful prose as a first draft. Rather, removing your expectations and giving yourself the permission to write something terrible lets all your uninhibited ideas shine through and makes for a better story in the end.

If you want to get something done, Baty says, ask a busy person to do it. That’s the reason for the breakneck speed and intense adrenaline rush needed to finish a novel in a month. The pace and desperation will narrow your focus like a laser beam, and you’ll scorch right through your inhibitions. The secret is that if your life is so busy that writing becomes a treat, you’re much more likely to do it than if writing is just the Task That Won’t Die on your to-do list.

In the first few chapters, Baty discusses preparations for the month-long novel, including finding a suitable place to write and carving time out of your schedule by giving up distractions like surfing the web. When preparing the story itself, Baty recommends not starting too early. It can be difficult to watch a long-prepared novel go up in flames as you desperately rush toward the finish line. Instead, start planning a week or so before you begin writing. A week is enough time to sketch out your characters, plot, and setting without getting too invested in them. Let the rest of it evolve as you write.

I took this advice to heart when I was choosing my story. I had considered a novel that had been nagging me to be written for years, but I have so much emotionally invested in it that I think I would be rather shocked at the results of my first NaNo draft. Instead, I did some quick brainstorming, came up with three or four ideas, picked the one that interested me the most, and have been developing it now for about a week.

Next, Baty offers tips on shutting up your inner editor so you can get on with your writing without feeling compelled to edit your spelling. Then he delves into a brief primer on novel concepts like plot and characters and setting. And he’s serious about the No Plot?, No Problem! title. If you spend enough time getting to know your characters, he says, the plot will naturally follow. When you get stuck, just make them do something, anything, and see where it leads you.

The next four chapters are week-by-week pep talks, advice, and exercises addressing the problems of each stage of the month-long novel. Issues for each week include:

Week 1 – how to harness your initial creative jolt in preparation for the long slog ahead
Week 2 – how to keep going when the euphoria wears off and you realize you still don’t have a plot
Week 3 – how to figure out where you are and how far you have yet to go
Week 4 – how to convince yourself to finish instead of taking a well-deserved break

The last chapter offers some advice on deciding whether to continue working on your novel and how to go about rewriting it if you choose. Baty’s ideas on rewriting are simple and encouraging for a NaNo novel, or any novel for that matter. I was happy to see this, since so many writing books get you all excited but leave you hanging part way through the first draft.

It may be the guidebook for a month of frantic writing, but the lessons learned will help writers with more leisurely writing as well. And if procrastination threatens to set in, you can always declare your own novel writing month and get back into shape. In the end, Baty makes it very clear that “literature is not merely a spectator sport.”

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